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Representation of women in Indian cinema: From self-effacement to self-assertion

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Representation of women in Indian cinema: From self-effacement to self-assertion
Anthropocentric universe verses ontological self - effacement: Self-realization as God-Realization in Sufi paradigm
The gestalt of diasporic consciousness in Jhumpa Lahiri’s The Namesake and Meera Syal’s Anita and Me.
The Dismantling of Rationality, Heterosexuality and Patriarchy in Virginia Woolf’s Mrs. Dalloway: Debunking the officially sanctioned normative discourses
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