Research papers

Representation of women in Indian cinema: From self-effacement to self-assertion

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Anthropocentric universe verses ontological self - effacement: Self-realization as God-Realization in Sufi paradigm

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The gestalt of diasporic consciousness in Jhumpa Lahiri’s The Namesake and Meera Syal’s Anita and Me.

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The Dismantling of Rationality, Heterosexuality and Patriarchy in Virginia Woolf’s Mrs. Dalloway: Debunking the officially sanctioned normative discourses

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From Modern to Post-Modern: A Sociological Analysis of Genet’s The Balcony

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