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From Modern to Post-Modern: A Sociological Analysis of Genet’s The Balcony

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From Modern to Post-Modern: A Sociological Analysis of Genet’s The Balcony
Representation of women in Indian cinema: From self-effacement to self-assertion
Anthropocentric universe verses ontological self - effacement: Self-realization as God-Realization in Sufi paradigm
The gestalt of diasporic consciousness in Jhumpa Lahiri’s The Namesake and Meera Syal’s Anita and Me.
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